If you’ve been following architecture news in Vancouver lately, chances are you’ve come across Gesamtkunstwerk: a German word translated as “life as a total work of art.” You can watch some videos of famous and no-so-famous Vancouverites guessing how to say it and what it means over at gwerk.ca.
The Gesamtkunstwerk exhibition is open to the public from now until May 18, introducing Vancouver to a new residential development + urban village idea planned for the the north side of the Granville Street Bridge in 2018. Design by the Danish architecture firm Bjarke Ingels Group (BIG) and developed by Westbank, a Vancouver-based company, the residential tower is just one part of the “total design” concept that champions a synthesis of art, architecture, interiors, urbanism, and energy with public-mindedness.
This public-mindedness is apparent in the chance to witness the plans and ideas behind the site long before it appears on the downtown cityscape. I spent roughly an hour touring the exhibit housed in an unused warehouse/storage space characteristic of this Beach Avenue area.
BIG and Westbank want to turn this rather dark and seedy parking and storage-infested “neighbourhood” under Granville Bridge into a vibrant village with a residential tower, low-rise retail and office buildings, as well as a recreational facility. Public art is planned to brighten the underbelly of the bridge through Rodney Graham’s spinning chandelier and overhead, coloured lightboxes curated by students from Emily Carr University of Art + Design.
When looking at the models for the site, it’s hard not to be impressed by the scope of the design, specifically in light of the building’s challenges. The shape of the land is triangular to begin with, making it resemble New York’s Flatiron Building, which was the innovative convergence of a unique site + the use of steel as a building material for skyscrapers.
Vancouver House, the name of the proposed residential tower on the north end of Granville Street Bridge, takes the Flatiron’s challenge one step further because city building restrictions require a 30 metre setback from the bridge. BIG’s solution to this design challenge was to torque the rectangular building once it got past the 30 metre mark, so that the top half of the tower is actually double the amount of apartments as the base—a pretty incredible feat. What’s so interesting is that you can’t even tell the building is torqued as you’re approaching it from the south—it simply looks like a rectangle. This “building with a twist” concept also provides maximum light for all the suites, as well as those million-dollar Vancouver views.
New York inspired the site in another way too. As you’ll see in the model below, Granville Street Bridge is no longer just a car bridge, but now includes a 2-lane greenway in the middle—basically, a park on the bridge, similar to New York’s High Line. There will also be rooftop gardens/parks on the other triangular-shaped plots created from the bridge’s infrastructure—a much more aesthetic view coming into downtown than the current monochromatic greyness of parking lots.
One wall of the exhibit gives you a peak into the interiors of the residential suites, and one cool feature that caught my eye is a torqued kitchen island that matches the outside of the building—another example of a syncretism between exterior and interior. Life as a total work of art.
I would recommend going around the exhibit with the free audio tour, which explains the Vancouver’s famous tower and podium-style architecture often referred to as “Vancouverism,” and how Vancouver House is an updated, “2.0” version of this style. Arthur Erickson paved the way for this style, and one of Gesamtkunstwerk’s claims to fame is a never-before publicly-shown Erickson sketch of a futuristic-looking Vancouver with spiral, curvy buildings that Erickson imagined way back in 1955. Now that’s a man who thought way ahead of his time.
BIG’s innovative Vancouver House seeks to pay homage to Erickson’s vision. It’s exterior resembles another Erickson-designed Vancouver building—The MacMillan Bloedel Building with its tapered walls and deeply recessed windows that give it a waffle-like façade.
As you can probably tell, I’m excited at the idea of beautifying and enlivening north Granville to match its neighbour to the south, Granville Island. I also like the addition of soft curves to our hard-edged cities, akin to Janet Echelman’s TED sculpture that I talked about here. And given the 6500+ people that have toured the exhibit since it opened on March 22, I’d say Vancouverites like to be engaged in the planning of our city, even if we still don’t know how to pronounce Gesamtkunstwerk when we walk out of the exhibit.