Publications

Poetry

Resolution,” Tuesday Poem #579, Dusie (May 2024). Online.

Frozen Accordion,” Thanatos Review (Issue 3: Fall 2023). Online.

POP!,” talking about strawberries all of the time (October 2023). Online.

First Word,” talking about strawberries all of the time (October 2023). Online.

Sleep Country,” talking about strawberries all of the time (October 2023). Online.

Minor Infraction,” talking about strawberries all of the time (October 2023). Online.

Herons and Heroes,” talking about strawberries all of the time (October 2023). Online.

round and round it goes,” Vallum 20:1, “Dreams vs Nightmares” (May 2023). Print and online.

“A COVID-19 Nursery Rhyme,” The Covid Verses, Paddler Press (2022): 14. Print.

Buried Face,” Ekstasis, January Collection (2022). Online.

Transformation,” Ekstasis, November Collection (2021). Online.

Three Haiku: Daycare Dropoff,” Red Alder Review (2021). Online.

“Interruptions in the Sistine Chapel,” Arc Poetry Magazine 95 (2021): 112. Print.

“Hair Like Rags,” CRUX 57.1 (2021): 18. Print.

“Highway Guardian,” CRUX 56.4 (2020): 21. Print.

Holy Mother, Wholly Other,” The Ekphrastic Review (2020). Online.

“they say you will teach me more than I will ever teach you,” Pulp Literature 28 (Autumn 2020): 173. Print.

“In Praise of Bodies,” June 2020: A Pandemic Anthology, 845 Press (2020). Print and online.

“Metaphors,” Train: a journal of carefully considered re-emergence (2020). Print.

Yellow” and “How far the apple falls,” Long Exposure Magazine (2019). Online.

Wayfinding,.” Barren Magazine 10: A Sun Apart (2019). Online.

“Text to Vancouver,” PRISM international 56.4 (2018): 47. Print.

“Red,” Open to Interpretation: Love + Lust (2014): 29. Print.

“A Street Named Faithful,” ArtAscent (2014). Online.

the balloons,” The Entroper (2012). Online.

“Le piano,” Mot Dit 3 (2009): 24-25. Print.

“Two Houses, In/Words 7.1 (2008): 23. Print.

Fiction

First Impressionism,” National Voices (2014): 8-13. Print.

The Most Famous Voice in London,” Maisonneuve 48 (2013). Print.

“The Waltz,” Ottawa Arts Review 7.1 (2013): 37-38. Print.

Non-Fiction

Lessons Learned from Loving Vincent,” Still Point Arts Quarterly 33 (2019): 106-111. Print and online.

Outspoken to Unspoken: Searching for Anne’s Voice after She Marries,” Curator (2018). Online.

Flying Close to Home” – Lady Bird Film Review. Converge (2018). Online.

Cutting through Static” – All the Light We Cannot See Book Review. Curator (2016). Online.

The Cougar, the Bison, and the End of Friendship,” Converge (2016). Online.

“A Half-hearted Pilgrim” – Wild Book Review. Curator (2015). Online.

“The Art of Losing,” Still Point Arts Quarterly 11 (2013): 88-91. Print.

Interviews

The art of writing by Malcolm Curtis on talking about strawberries all of the time (2024). Online.

Speaking of Marvels Chapbook Interview by William Woolfitt (2022). Online.

Poetry Mini Interviews by Thomas Whyte (2021). Online.

Six Questions Interview by rob mclennan (2021). Online.

Awards and Recognitions

“Resolutions,” Cecilia Lamont Literary Contest 2023, 2nd place for Poetry.

“Mountain View Cemetery,” Pulp Literature‘s 2023 Magpie Poetry Contest, Shortlist.

“If Not the Woods,” Arc Award of Awesomeness October 2022, Honourable Mention.

“Birdwatchers,” Cecilia Lamont Literary Contest 2021, Poetry winner.

“they say you will teach me more than I will ever teach you,” Pulp Literature‘s 2020 Magpie Poetry Contest, Winner.

“Wayfinding,” Pulp Literature‘s 2019 Magpie Poetry Contest, Shortlist.

“F is for Fremlin,” Vancouver Public Library Marpole Branch’s 2018 Writing Contest, Winner.

“College Lesson,” Pulp Literature‘s 2018 Magpie Poetry Contest, Shortlist.

“When We Played House,” Pulp Literature‘s 2016 Raven Short Story Award, Shortlist.

“Perfect Symmetry,” Surrey International Writers’ Conference 2015 Storyteller’s Award, Honourable Mention.

“Canning It.” Ruminate 2014 William Van Dyke Short Story Prize, Semi-finalist.