Yellow” and “How far the apple falls.” Long Exposure Magazine (2019). Online.

Wayfinding.” Barren Magazine 10: A Sun Apart (2019). Online.

“Text to Vancouver.” PRISM international 56.4 (2018): 47. Print.

“Red.” Open to Interpretation: Love + Lust (2014): 29. Print.

“A Street Named Faithful.” ArtAscent (2014). Online.

the balloons.” The Entroper (2012). Online.

“Le piano.” Mot Dit 3 (2009): 24-25. Print.

“Two Houses.” In/Words 7.1 (2008): 23. Print.


First Impressionism.” National Voices (2014): 8-13. Print.

The Most Famous Voice in London.” Maisonneuve 48 (2013). Print.

“The Waltz.” Ottawa Arts Review 7.1 (2013): 37-38. Print.

First Hand Love.” This Great Society 29 (2012). Online.


Lessons Learned from Loving Vincent.” Still Point Arts Quarterly 33 (2019): 106-111. Print and online.

Outspoken to Unspoken: Searching for Anne’s Voice after She Marries. Curator (2018). Online.

Flying Close to Home” – Lady Bird Film Review. Converge (2018). Online.

Cutting through Static” – All the Light We Cannot See Book Review. Curator (2016). Online.

The Cougar, the Bison, and the End of Friendship.” Converge (2016). Online.

A Half-hearted Pilgrim” – Wild Book Review. Curator (2015). Online.

The Art of Losing.” Still Point Arts Quarterly 11 (2013): 88-91. Print.

Awards and Recognitions

“Wayfinding.” Pulp Literature‘s 2019 Magpie Poetry Contest, Shortlist.

F is for Fremlin. Vancouver Public Library Marpole Branch’s 2018 Writing Contest, Winner.

“College Lesson.” Pulp Literature‘s 2018 Magpie Poetry Contest, Shortlist.

When We Played House. Pulp Literature‘s 2016 Raven Short Story Award, Shortlist.

Perfect Symmetry. Surrey International Writers’ Conference 2015 Storyteller’s Award, Honourable Mention.

Canning It. Ruminate 2014 William Van Dyke Short Story Prize, Semi-finalist.