I was on Granville Island the other day and was able to snap some pics in the last stretch of sunny weather before another batch of rain sets in. What I love about Granville Island:
- how colourful it is
- its views of False Creek and the iconic glass condos that are a staple of Vancouver’s skyline
- its juxtaposition of art and industry as seen on buildings’ exposed structural and mechanical elements, representing traces of this man-made island’s industrial past
- the public market. Even though walking through the narrow aisles feels as packed as the sardines they have for sale in the fresh seafood section, there are some yummy eats and unique artsy gems you can find when browsing through the hundreds of vendor stalls
- there’s a store for literally everything under the sun, which you can get a sense of by reading these names: “Umbrella Shop,” “The Postcard Place,” “Rhinoceros,” “The Granville Island Soap Gallery” and “The Granville Island Broom Company.” Yes, there is actually a store that just sells brooms. No joke. I should have taken a picture of that one.
In the words of Paul Delany in Vancouver: Representing the Postmodern City,
“The success of Granville Island has been based on its mixture of uses and its (post)modernisation of existing buildings. Post-industrial society can afford to feel nostalgic about factories: abandoned machines and structures are not experienced as mere junk, but rather as relics of an heroic age when goods were hammered out, with toil and skill, from recalcitrant materials.”
In other words, the success of Granville Island revolves around repackaging what was formerly an industrial “junk” or “garbage” site into an attractive and desirable site of high cultural and economic capital. To read about a future dystopian Granville Island that plays with the idea of art and commodity, check out William Gibson’s short story, “The Winter Market.”
Indeed, yesterday’s garbage is tomorrow’s gold. And how golden it is.